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Zasha Colah:
The Scorched-Earthly


November 2020 - September 2021

Zasha Colah researches contemporary collective forms of cultural production and artistic imagination under prolonged militarized situations; and how acts of imagination become collective. She segues between at least two terrains: the region of Northeast India bordering Bangladesh, Myanmar/Burma and China, and the Pacific Northwest Coast of North America. These artificially segmented terrains coalesce in this research to perceive the intersections of law, artistic imagination, constitutions, and the infrastructure of disobedient, ungoverned terrains.

Christina Battle:
Imagining New Systems of Exchange


October 2020 - March 2021

Christina Battle is an Artist whose research and work consider the parameters of disaster – looking to it as action, as more than mere event, and instead as a framework operating within larger systems of power. Her Fellowship with 221A seeks to imagine beyond capitalist cycles of economic breakdown and towards new systems of exchange, drawing from strategies of spread observed in plants and fungi, as well as in online spaces.

Other Colours

Research Initiative


Other Colours was conceived in response to the Vancouver Heritage Foundation’s True Colours, a program that offers grants to incentivize homeowners to restore heritage homes to their ‘true’ Victorian, Edwardian and War Time era (1880–1930) colours, with paint swatches such as “Oxford Bluff” and “Edwardian Pewter”. Canada’s colonial history is a violent history that must be questioned, not ceremoniously replicated. The True Colours program has been deployed largely in support of the gentrification of inner city neighbourhoods, particularly those with a history of immigrant struggle where homes were painted colours that represented diverse cultural backgrounds and experiences of the city. 221A led a Research Initiative with 10 contributors who were asked to provide a swatch for an “Other Colours palette” that would offer alternatives to the True Colours program based on the contributors’ lived experience, cultural traditions and artistic practices. Each Other Colours palette selection is detailed by the contributor with an original text or artwork. This collection of short prose, poetry and social history, printed by Brick Press as an Artist’s Book, offers a more pluralistic account of the city’s built environment and identity.

Blockchains & Cultural Padlocks

Research Initiative

2019 – 2022

A three-year digital strategy initiative by 221A that researches, develops sectoral capacity, and implements blockchain technology for cultural, social and ecological use-cases. Blockchain technology will be the next layer of the internet, connecting data and information to new forms of mutually-agreed value. Seen as a new institutional technology, the blockchain could potentially be as crucial as electricity and the internet itself. The programming is based on distributed ledger cryptography, never stored in one central reserve, but replicated and simultaneously updated across networks of server nodes. These distributed systems provide transparency as well as security for transactions and value recognition on the peer-to-peer scale, without mediating authority from third-party and legacy institutions.