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Non-Profit Crypto Finance Working Group

Research Partnership

Summer 2021 - Fall 2022

With a network of cultural, educational and non-profit partners, the working group will gather and develop the knowledge about crypto finance needed to benefit the non-profit, educational and cultural sectors. The group is assembling a cross-sector team of organizations, from the worlds of visual art, design, film, architecture, music, and digital culture. The questions the group will research—e.g., fiduciary duties, risk/reward equations, governance mechanisms—will comprise a basis of knowledge that can be further disseminated across sectors

Zasha Colah:
The Scorched-Earthly

Fellow

November 2020 - September 2021

Zasha Colah researches contemporary collective forms of cultural production and artistic imagination under prolonged militarized situations; and how acts of imagination become collective. She segues between at least two terrains: the region of Northeast India bordering Bangladesh, Myanmar/Burma and China, and the Pacific Northwest Coast of North America. These artificially segmented terrains coalesce in this research to perceive the intersections of law, artistic imagination, constitutions, and the infrastructure of disobedient, ungoverned terrains.

Christina Battle:
Imagining New Systems of Exchange

Fellow

October 2020 - March 2021

Christina Battle is an Artist whose research and work consider the parameters of disaster – looking to it as action, as more than mere event, and instead as a framework operating within larger systems of power. Her Fellowship with 221A seeks to imagine beyond capitalist cycles of economic breakdown and towards new systems of exchange, drawing from strategies of spread observed in plants and fungi, as well as in online spaces.

Other Colours

Research Initiative

2017–2020

Other Colours was conceived in response to the Vancouver Heritage Foundation’s True Colours, a program that offers grants to incentivize homeowners to restore heritage homes to their ‘true’ Victorian, Edwardian and War Time era (1880–1930) colours, with paint swatches such as “Oxford Bluff” and “Edwardian Pewter”. Canada’s colonial history is a violent history that must be questioned, not ceremoniously replicated. The True Colours program has been deployed largely in support of the gentrification of inner city neighbourhoods, particularly those with a history of immigrant struggle where homes were painted colours that represented diverse cultural backgrounds and experiences of the city. 221A led a Research Initiative with 10 contributors who were asked to provide a swatch for an “Other Colours palette” that would offer alternatives to the True Colours program based on the contributors’ lived experience, cultural traditions and artistic practices. Each Other Colours palette selection is detailed by the contributor with an original text or artwork. This collection of short prose, poetry and social history, printed by Brick Press as an Artist’s Book, offers a more pluralistic account of the city’s built environment and identity.