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Chinatown Concern Group is an organization of Chinese residents in Chinatown and the Downtown Eastside working to address neighbourhood issues. CCG is supported by the Carnegie Community Centre Association.
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Patrick Condon is the founding chair of the urban design program at University of British Columbia’s School of Architecture and Landscape Architecture. Recognizing the need for collaboration as a fundamental part of designing sustainable communities, Condon has pioneered public engagement methods by successfully focusing attention on how to make systemic change in the way cities are built and operated, notably in his East Clayton project in Surrey, BC. More recently, he and his research partners collaborated with the City of North Vancouver to produce a 100-year plan to make the city carbon-neutral by 2107. Patrick and his partners received the Canadian Institute of Planners Award for Planning Excellence and the BC Union of Municipalities Award of Excellence for this work.
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Hadani Ditmars is a fifth generation Vancouverite and an author, journalist, and photographer who has worked internationally for over two decades. Reporting from Lebanon, Israel/Palestine, Iraq and elsewhere, she has examined the human costs of sectarian strife as well as cultural resistance to war, occupation, and embargo. A former editor at New Internationalist magazine, she travelled to Baghdad in 2010 to write and photograph the May 2010 issue Iraq 7 years later - the legacy of invasion. Her best-selling book Dancing in the No Fly Zone (Interlink Books, 2006) recounts her time in Iraq from 1997 to 2003, and is one of the few books covering pre- and post-invasion reality. Her work has been published widely, appearing in the Guardian, the Independent, New Arab, Al-Jazeera, Sight and Sound, the Walrus, Haaretz, Ms. Magazine, the New York Times, Art Newspaper, Vogue, and Architectural Review, and broadcast on CBC, BBC, RTE, and NPR. Her next book, Between Two Rivers: a Journey Through the Ancient Heart of Iraq (commissioned by IB Tauris), is a travelogue using ancient sites as a narrative device to tell the story of Iraqi culture today.
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Am Johal is Director of Simon Fraser University's Vancity Office of Community Engagement. He is the author of Ecological Metapolitics: Badiou and the Anthropocene (Atropos Press, 2015) and is co-author with Matt Hern (with contributions from Joe Sacco), of Global Warming and the Sweetness of Life: A Tar Sands Tale (MIT, 2018). He is the co-founder of UBC's Humanities 101 program and is an associate of SFU's Centre for Dialogue and SFU's Institute for the Humanities. He previously served as co-chair of the Impact on Communities Coalition, as a board member with the Vancity Community Foundation, the Or Gallery, the Vancouver City Planning Commission, the Downtown Eastside Neighbourhood House and many other organizations. He has been a Visiting Professor in SFU's Semester in Dialogue.
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Life of a Craphead is the collaboration of Amy Lam and Jon McCurley. Their performance projects include King Edward VII Equestrian Statue Floating Down the Don (2017), an iconoclastic act of dumping into the Don River a replica of a decommissioned colonial statue from India that was erected in a public park in Toronto since 1969; The Life of a Craphead Fifty-Year Retrospective, 2006–2056 (Art Gallery of Ontario, Toronto, 2013), a speculative career retrospective of all the work they will ever make; and Free Lunch (2007), a public, anonymously advertised free lunch serving everything on the menu of a Chinese restaurant.
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Steffanie Ling is a producer of criticism, pamphlets, stories, essays, exhibitions, reviews, bluntness, anecdotes, shout outs, wrestling storylines, proposals, applications, jokes, readings, minimal poems, poems, dinner, compliments, and diatribes. She lives in Toronto, Canada, where she is currently the Artistic Director at Images Festival. Her books are NASCAR (Blank Cheque, 2016) and CUTS OF THIN MEAT (Spare Room, 2015).
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Donato Mancini's practice focuses mainly on poetry, bookworks, text-based visual art and cultural criticism. His books include Loitersack (2014), Buffet World (2011), Fact ‘N’ Value (2011), Æthel (2007), and Ligatures (2005). His most recent book, Same Diff (2017), was a finalist for the 2018 Griffin Prize. The italicised lines in Donato's poem are by Deanna Ferguson, from "Anecdotal Evidence Echoes" (Rough Bush, 2004). Donato would like to dedicate his poem to Michael Barnholden.
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Douglas McBay is a freelance writer by trade with a range of interests as a result of having spent a great deal of time in religious studies, psychology, and classics at the University of Manitoba, and a year on microcomputer systems at Winnipeg Technical College. His most recent works are an unpublished novel (“still being written”) and a philosophical treatise (“still being subjected to trial by life”).
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Ellis Sam currently resides on the unceded territories of the Squamish, Musqueam and Tsleil-Waututh peoples. He was born and raised in Vancouver, B.C., and his work is focused on storytelling through music and video. He is in love with Rock 'n' Roll and the music of every country.
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Trevor Yeung is an artist who lives and works in Hong Kong. Yeung’s practice uses natural bodies and systems as a pretext for describing human processes and relations. Solo exhibitions include The darkroom that is not dark (Magician Space, Beijing, 2016); The Sunset of Last Summer (Blindspot Gallery, Hong Kong, 2016); and no pressure:) (Gallery Zürcher Hochschule der Künste, Zurich, Switzerland, 2015). Group shows include A Beast, A God, and A Line (Dhaka Art Summit 2018, Dhaka; Para Site, Hong Kong, and TS1 Yangon, Yangon, 2018); The Other Face of the Moon (Asia Culture Center, Gwangju, 2017); and Sea Pearl White Cloud (Observation Society, Guangzhou, China, 2016).
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Vincent Tao is a labour union organizer, housing activist, and educator of social movement history and practice.
Previously, Tao was the Education Librarian of 221A, where he stewarded the transformation of the institution's exhibition space as Pollyanna 圖書館 Library, a hybrid archive and public programming infrastructure. During his tenure, Tao developed 221A’s transdisciplinary research projects, free-to-attend educational programs, and community solidarity initiatives.
Tao’s significant collaborative projects at 221A were organized through his research program Notes on Permanent Education (N.O.P.E.): Rereading Room: The Vancouver Women’s Bookstore (2016) with Alexandra Bischoff; Pollyanna Sound Archive Prototype 01 (2017) with Yu Su; The Woodwards Amateur-Historical Society / W.W.A.S. (2017) and BITE THE HAND THAT FEEDS: FORUM ON ART AND DEVELOPER MONEY (2018) with Josh Gabert-Doyon, Brit Bachmann, Gabi Dao, and Byron Peters; Science Fiction and the Other (2018) with Juli Majer; and Comix for Community Solidarity (2018) with William Dereume, Ali Bosley, Jack Lloyd, and Andrea Lukic.
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Ryan Smith is a Vancouver-based artist and designer, and he is the co-founder of Brick Press, an independent art and design book publisher that works with Canadian and international authors. Offset lithography, publishing, artists' books, experimental printmaking, teaching, and research are at the core of his artistic practice.
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Gina Badger is a freelance editor with over a decade’s experience in art publishing, including stints as editorial director of FUSE Magazine (2011–14) and editor of exhibitions and publications at the AGO (2015–17). She holds a BFA from Concordia University, Montreal, and a Master of Science from MIT, Cambridge. Originally from Edmonton, Alberta, Badger is a settler of Norman, Huguenot and Anglo-Saxon ancestry born on Cree territory and currently living on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh nations.
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Michelle Fu is a co-founder of 221A and the current Head of Finance & Equity. Fu was an artist in residence at Emily Carr University’s Neighbourhood Time Exchange (2018) and has been invited to speak on artist organizing, reproductive labour and feminist economics at a variety of organizations and universities, including the Morris and Helen Belkin Gallery and The Future is You and Me, a mentorship program for young women of colour in the cultural sector. Previously, she was the coordinator of the Audain Artist-in-Residence program at Emily Carr University, and was a designer in the environmental and graphic design fields, where she developed comprehensive wayfinding systems for major clients, including Vancouver Coastal Health and ICBC. She is the current Treasurer of Artspeak, and holds a BDes in Industrial Design.
+1 604 568 0812
mfu@221a.ca
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Brian McBay (pronouns he/him/his) is Executive Director of 221A, a non-profit organization that works with artists and designers to research and develop social, cultural and ecological infrastructure based on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh first nations in the city known as Vancouver. As a student Co-founder of 221A during the height of the 2007-08 global economic crisis, he is part of a new generation of leaders in the cultural sector aiming to reverse deepening inequality, xenophobia and colonialism in Canada. He was named a 2018 Fellow at the Salzburg Global Forum and is currently the President of the Pacific Association of Artist Run Centres, a member of the City of Vancouver Arts and Culture Advisory Committee and a member of the National Gallery of Canada’s Board of Trustees.
+1 604 568 0812
bmcbay@221a.ca
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Jesse McKee is the Head of Strategy at 221A. He leads the Organization’s advancement, communications, research, and programming. From 2019-22, he is the lead investigator on 221A's Blockchains & Cultural Padlocks Research Initiative. Previously, he was the Curator of Walter Phillips Gallery, The Banff Centre and the Exhibitions Curator, Western Front, Vancouver. In 2017, he was the co-curator, with Daina Augaitis, of Vancouver Special: Ambivalent Pleasures, the inaugural edition of a civic triennial exhibition at the Vancouver Art Gallery. As a curatorial resident, he has worked with Things that can happen, Hong Kong and Tranzit.org, Romania. McKee served as a juror for the Sobey Art Award and was a member of the Canada Council for the Art’s Asia Pacific Delegation. He has written essays and reviews for Canadian Art, C Magazine, Fillip, Border Crossings, Kaleidoscope, and Cura. His recent catalogue essay, Surreal Ghosts and Neuroplastic Ancestors correlates Julia Feyrer and Tamara Henderson’s filmmaking with the neuroplastic effects of Vancouver’s economic enclosure over the past decade; published by the Morris and Helen Belkin Art Gallery, University of British Columbia and Institute for Contemporary Art, University of Pennsylvania. jmckee@221a.ca
