Opening Reception: Oct 22, 8pm-12pm THE POLITICS OF ROMANCE curated by Debra MX Zhou.Tara Arnst, Francisco-Fernando Granados, Sarah Harruthoonyan. EARTHLY DELIGHTS curated by Francisco-Fernando GranadosZarah Ackerman, Francis Cruz & Patrick Cruz and Manolo Lugo. |
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BIOGRAPHIES Debra XM Zhou is a Shanghai-born, Vancouver-based curator. She is a current recipient of Assistance to Culturally Diverse Curators for Residencies in the Visual Arts from Canada Council for the Arts. Besides working for Centre A as the gallery coordinator, she has also worked on projects with Yishu Journal, Richmond Art Gallery, Reel Asian International Film Festival, and VIVO Media Arts Centre.
Francisco-Fernando Granados is a Guatemalan-born, Vancouver-based artist and writer currently working in performance, sculptural intervention and cultural criticism. Through his practice, he aims to create ephemeral spaces where larger socio-political contexts can collude and co-exist with personal narratives. His work has been shown in venues including the LIVE Biennale, VIVO Media Arts Centre, Centre A, the Vehicle project at Langara College Centre for Art in Public Spaces, Gallery Gachet, colourschool and the Vancouver East Cultural Centre.
Sarah Viscardi Harruthoonyan is a Vancouver based designer and artisan born in Tehran, Iran and raised in Athens, Greece and Vancouver, BC. After receiving her Bachelor in Fashion Design and Technology from Kwantlen, Harruthoonyan has been utilizing her skills on freelance projects and with various companies such as the Vancouver Opera, Arts Club Theatre, local film productions, Cirque du Soleil and most recently stage performances in Mexico. Inspired by her adventures in traveling, nature and human behaviour Sarah is continuously expanding on her wearable art collection of garments and accessories.
Tara Arnst is a Toronto based film and video artist, currently completing a Master’s Degree in Fine Arts at Ryerson University, specializing in Documentary Media. Ernst holds an undergraduate degree from Concordia University in Film Production and began her studies in Intermedia at Emily Carr University. Focusing primarily in cinematic art practices, Ernst’s work expands beyond the two dimensional frame to examine the political, psychological, phenomenological impact of the motion picture image. Touching on themes of cultural identity and collective memory Ernst avoids the overtly political, leaving room to explore the complex the psychology of our projected imagination.
Zarah Ackerman, A potential conversation
Francis and Patrick Cruz
Manolo Lugo, WORD IMMEDIATISMS |
October 22nd - 31st, 2009
LIVE Biennale, Performances and Exhibition
LIVE Biennale, Performances and Exhibition







