The Corruption of Time’s Dust is an exhibition of work by Nadia Belerique, Richard Fedoruk, Steven Hubert, Sylvain Sailly and Tegan Moore.
Time Dust (1992) is a work by James Rosenquist which uses the layering of several different printing methods to form a gigantic image of a delirious pop spacescape. This same process was used in the advertising of the time, where the integration and technical development of several mediums helped to produce a seamless and fantastical space. This was a seamlessness that montage had not yet achieved. Its convincing definition and realism, coupled with the spatial juxtaposition adopted from collage, depicted a proto-digital delirium – where the interior states of objects and figures spread out into a continuum.