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Still from New Models Module 1: Imagining Collapse. Courtesy Daniel Keller & https://newmodels.io


October 8, 2019


12:00 PM–1:00 PM




University of British Columbia [map]
Henry Angus Building, Room 996, 2053 Main Mall
Vancouver, British Columbia V6T 1Z2 Canada

As part of Blockchain@UBC‘s monthly research talk series, Jesse McKee, 221A’s Head of Strategy and lead on the Organization’s Blockchains & Cultural Padlocks Research Initiative, will present the project’s development, its contributors and next steps.

It feels like we have shackled ourselves to living our lives in the 20th century-on-life-support. It is time to renew our cultural practices and relations in order to prevent the unwanted future that was designed for us far too long ago. Over the course of three years, 221A leads a research initiative entitled Blockchains & Cultural Padlocks that is nurturing new and experimental forms of cultural, social and ecological infrastructure that can be designed on the blockchain, with the intention to ‘recommon’ land, data and objects. The Arts, Design and the Humanities have a crucial role to play in deeply adapting our culture towards something that is more cognizant and reactive to the major historical narratives we are navigating today: climate collapse, context collapse, decolonization, economic justice and the equitable redistribution of resources.


  • Jesse McKee is the Head of Strategy where he leads the Organization’s advancement, communications, and programming.  Previously, he was the Curator of Walter Phillips Gallery, The Banff Centre and the Exhibitions Curator, Western Front, Vancouver. In 2015, he was the co-curator, with Daina Augaitis, of Vancouver Special: Ambivalent Pleasures, the inaugural edition of a civic triennial exhibition at the Vancouver Art Gallery in 2017. As a curatorial resident he has worked with Things that can happen, Hong Kong and Tranzit.org, Romania. McKee served as a juror for the Sobey Art Award and was a member of the Canada Council for the Art’s Asia Pacific Delegation. He has written essays and reviews for Canadian Art, C Magazine, Fillip, Border Crossings, Kaleidoscope, and Cura. His recent catalogue essay, Surreal Ghosts and Neuroplastic Ancestors, focuses on Julia Feyrer and Tamara Henderson’s filmmaking, and the neuroplastic effects of Vancouver’s economic enclosure over the past decade, published by the Morris and Helen Belkin Art Gallery, University of British Columbia and Institute for Contemporary Art, University of Pennsylvania.  
  • Blockchain@UBC is a multidisciplinary research cluster focusing on blockchain technology as a central component in investigating the broader research question “How can emerging technologies be leveraged to benefit Canadians?” Engage in both research and education to advance the design, development, and adoption of blockchain technologies, the cluster’s initiatives bring academics and industry partners together to explore pressing issues and advance the emergence of Blockchain technologies. Teaching initiatives span undergraduate, graduate, and executive levels to advance the knowledge and qualifications of students and professionals interested in blockchain technologies


Supported by the Canada Council for the Art’s Digital Strategy Fund

  • Blockchain@UBC

Unceded Territory

221A acknowledges that the area called Vancouver is within the unceded Indigenous territories belonging to the Musqueam, Skxwú7mesh-ulh Úxwumixw (Squamish) and Tsleil-Watututh peoples. 221A recognizes that the colony of British Columbia was created through organized dispossession and colonial violence. 221A seeks to shift its organizational practices to work together with Indigenous people to end ongoing violence, disposession and displacement.