As part of Blockchain@UBC‘s monthly research talk series, Jesse McKee, 221A’s Head of Strategy and lead on the Organization’s Blockchains & Cultural Padlocks Research Initiative, will present the project’s development, its contributors and next steps.
It feels like we have shackled ourselves to living our lives in the 20th century-on-life-support. It is time to renew our cultural practices and relations in order to prevent the unwanted future that was designed for us far too long ago. Over the course of three years, 221A leads a research initiative entitled Blockchains & Cultural Padlocks that is nurturing new and experimental forms of cultural, social and ecological infrastructure that can be designed on the blockchain, with the intention to ‘recommon’ land, data and objects. The Arts, Design and the Humanities have a crucial role to play in deeply adapting our culture towards something that is more cognizant and reactive to the major historical narratives we are navigating today: climate collapse, context collapse, decolonization, economic justice and the equitable redistribution of resources.
- Jesse McKee is the Head of Strategy at 221A. He leads the Organization’s advancement, communications, research, and programming. From 2019-22, he is the lead investigator on 221A's Blockchains & Cultural Padlocks Research Initiative. From 2020-22, he is a member of the Downtown Vancouver Business Improvement Association's Policy Advisory Council. Previously, he was the Curator of Walter Phillips Gallery, The Banff Centre and the Exhibitions Curator, Western Front, Vancouver. In 2017, he was the co-curator of Vancouver Special: Ambivalent Pleasures, the inaugural edition of a civic triennial exhibition at the Vancouver Art Gallery. As a curatorial resident, he has worked with Things that can happen, Hong Kong and Tranzit.org, Romania. McKee served as a juror for the Sobey Art Award, and was a member of the Canada Council for the Art’s Asia Pacific Delegation. He has written essays and reviews for Canadian Art, C Magazine, Fillip, Border Crossings, Kaleidoscope, and Cura. His recent catalogue essay, Surreal Ghosts and Neuroplastic Ancestors correlates Julia Feyrer and Tamara Henderson’s filmmaking with the neuroplastic effects of Vancouver’s economic enclosure over the past decade; published by the Morris and Helen Belkin Art Gallery, University of British Columbia and Institute for Contemporary Art, University of Pennsylvania. A forthcoming catalogue essay, Counting on People: How it Started... How it's Going, frames the productions of Neïl Beloufa's films from the mid-2010s as they foretold a global pandemic all enacted through video calls, alongside the consequences of social media's unchecked narrative accelerants; published by After 8 Books, Paris. email@example.com
- Blockchain@UBC is a multidisciplinary research cluster focusing on blockchain technology as a central component in investigating the broader research question “How can emerging technologies be leveraged to benefit Canadians?” Engage in both research and education to advance the design, development, and adoption of blockchain technologies, the cluster’s initiatives bring academics and industry partners together to explore pressing issues and advance the emergence of Blockchain technologies. Teaching initiatives span undergraduate, graduate, and executive levels to advance the knowledge and qualifications of students and professionals interested in blockchain technologies
Supported by the Canada Council for the Art’s Digital Strategy Fund
221A acknowledges that the area called Vancouver is within the unceded Indigenous territories belonging to the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) peoples. 221A recognizes that the colony of British Columbia was created through organized dispossession and colonial violence. 221A seeks to shift its organizational practices to work together with Indigenous people to end ongoing violence, dispossession and displacement.